STRINGS: A LOVE STORY by Megan Edwards Reviewed by Daniel C. Lavery

               

STRINGS: A LOVE STORY by Megan Edwards  Reviewed by Daniel C. Lavery

I devoured my pre-publication copy as a classical music lover, and one who had an immediate connection with my wife the moment we met some refer to as a soul-mate. Megan Edward’s creative writing shown by spectacular descriptions and themes followed by a phenomenal ending makes a powerful combination. This review is but a skeleton of a much greater whole spanning the lives of two lovers in high school through many years of professional life, marriage, an ugly divorce and many vibrant surprises. STRINGS combines these with a unique classic musical instrument: "The Violin of Angels." We are soon greeted with an unusual love that survived extreme hurdles. Ted Spencer, a rich boy fell for a cleaning lady’s daughter, Olivia de la Vega. They played Lancelot and Guenevere in Camelot at a private school called Haviland with interference from his family who thought he deserved better, and much fickle fate thereafter. His mastery of the violin admitted him to Julliard but separated them when his parents interfered making her doubt his love as one of the many “strings” that obstructed their romance.

Olivia, a stunning beauty, and talented actress, introduced Ted to a different world of Celtic harps, a music festival, and hippies instead of the upper crust of society in which his parents sheltered him. This helped free him from the rigid control his parents and Classical music teachers stressed. At his home his Dad produced a sparkling diamond he had cut for Ted when he married someone acceptable. Soon Ted announced he wanted to marry Olivia and was going to Julliard, not Yale as his father wanted. Taking two cigarettes to lite, he handed one to Ted and informed him if he did, that was the last thing he would receive from him! His parents ensured Olivia would leave the scene by lying that Ted had a girlfriend he planned to marry and had a diamond ring for her. Naturally, she failed to show at a time Ted asked for her to join him at their secret shelter and disappeared.

           

(Megan Edwards)

 

As fate would have it, Olivia found work in Television and soon became a talented actress in Los Angeles, married, and named her daughter, “Theodora.” Meanwhile, Ted developed his violin expertise at Julliard, played at Carnegie Hall, and became Concertmaster with the Vienna Philharmonic. Fast-forward nineteen years when Olivia met Ted at a concert where he played Paganini’s “Last Caprice in A major,” his audition piece for Julliard, “he consigned to his heart along with memories of Olivia too melancholy to open.” Later when she visited during a contentious divorce, he bought a tiny porcelain ballerina that pirouetted before a mirror to “Dance of the Sugar Plum Fairy” as a present for her seven year-old daughter, Teddy.

 

After another hiatus, Ted met Sophie Reinhardt who helped his career take off while they lived together noting her “pale blonde hair swirled in soft unruly curls to her shoulders” while “her confident grey-blue eyes met his gaze.” Divorced five years, she was free and helped his career blossom during their extended affair. So successful his career became from their liaison, he bought an eight bedroom three story home with four fireplaces at Westchester County in Sleepy Hollow next to his Rockefeller neighbor!

 

Soon Olivia’s letter from Malibu re-connected them. Her husband of ten years had died leaving her the entire contents of his study which contained an extraordinary violin: Joseph Guarnius…1742 HIS! She asked him to appraise this gift since he had become a violin expert and exclaimed, “It wasn’t the amazing Violin that made his head damp, but Olivia returning to his life!” When she arrived he set up his fiber optic camera. The remainder of the process unfolds like a Sherlock Holmes mystery revealing a violin, The Merino Rose, worth millions. Ted generously made a bequest of this gift to Teddy for her future. The spectacular ending on a beach at sunset, waves crashing, the sand turning gold, and the wind blowing in Olivia’s hair, left this reader in tears with Ted’s final words: “You and I have a symphony to finish.” Readers will want to order a copy to fill in the amazing details of this extraordinary and unforgettable fictional romance novel.

 

BIO: Dan graduated Annapolis, navigated a Navy jet, was carrier qualified, and earned NAO wings in Florida, and then a ship to Vietnam with 300 marines. He resigned, turned peace activist, and became a civil rights lawyer for Cesar Chavez's UFW, the ACLU, and private civil rights practice. His memoir, All the Difference, describes his change from a pawn in the military to a crusader for justice. http://www.danielclavery.com (Author website)

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Palabras Ajenas [The Words of Others], of León Ferrari

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(Redcat is located on the third parking floor of the Disney Center in Los Angeles)

Dear friends: I have been invited to participate in the collective reading of Palabras Ajenas [The Words of Others], of León Ferrari, at REDCAT at the Disney Center in Los Angeles after they interviewed me. They sought activists in the LA area in a letter sent to Vietnam Vets Against War (VVAW) that I have been a member of since 1968 and volunteer to respond to letters to them asking for interviews with members. I will read the words taken down in history of LBJ collected by these remarkable people. The group of readers will comprise, apart from some VVAW members, art professors, journalists, artists, students, and activists from Los Angeles community as well.

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(Another view of the Disney Center)

They thanked me for sending my bio that revealed my civil rights background as a lawyer for 34 years after leaving the Navy. Human and civil rights were also at the center of Ferrari's career, a position that got accentuated when the military government murdered his son during the dictatorship in Argentina.

 

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(Christ on a jet bomber artistic rendition [Westerns and Christian Civilization (1065) by Leon Ferrari)

 

Published in 1967, Palabras Ajenas [The Words of Others] was a direct response to news and images of the Vietnam War and the violent expansion of Western culture during the years of the Cold War. It was composed from quotations of the Bible, speeches from the President Lyndon Johnson, Pope Paul VI, and Nazi leaders, as well as reports from the Vietnam War taken from various newspapers and news outlets.

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       (Author of  Palabras Ajenas (Words of Others) 1967)

This project is curated and directed by Ruth Estévez, Miguel López and Agustín Díez Fischer, and Carmen Amengual as Associate researcher. The script of this reading has been translated into English by Antena (Jen Hofer with Tupac Cruz and Román Luján) after two years of work, looking into the original sources, and it has been adapted for the reading by Jose Antonio Sánchez, a Spanish scholar that has been writing extensively about political theater and Juan Ernesto Díaz, from Mapa Teatro (Mexico).

  PALABRAS AJENAS/THE WORDS OF OTHERS Performance/Public Reading Author: León Ferrari  Directors and curators: Agustín Diez Fischer, Ruth Estévez and Miguel López Script adaptation: José Antonio Sánchez Sound design: Juan Ernesto Díaz Research Associate: Carmen Amengual Staging: Juan Ernesto Díaz, José Antonio Sánchez and Ruth Estévez. Translation: Antena, published in 1967, is a literary collage composed by the Argentine artist León Ferrari as an extensive dialogue between real and fictional characters. President Lyndon Johnson, Hitler, Pope Paul VI, and God, among others, enter into conversation through quotations selected by the artist from history books, literature, the Bible, newspapers and magazines. redcat-leon-ferrari-artistic-work

By means of a cut-and-paste exercise, the artist correlates the atrocities of the Vietnam War, the horrors of Nazism, and the representations of redemption and punishment in Christian doctrine. The piece was composed during the Vietnam War, at a moment when the Cold War was used as a justification for the intervention in foreign countries by the American military, and the establishment of the cruelest dictatorships in Latin America, with the support of the CIA. The news from Vietnam, and specially the photographic documentation of torture on the field, mobilized the artist who began collecting and combining a huge amount of clippings. The result is an enormous oratorium conceived to be read in public. Through it, Ferrari raises his voice against the war using the words of others. 

 

(Artistic rendition by Leon Ferrari)

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(Many Cal Arts Students participate in The World of Others) 

The Words of Others is not a theater piece written to be represented, but a conceptual art piece, consisting of words to be transformed into voices, but not into characters. Even if it might resemble documentary theater or certain political theater from the sixties, it doesn’t require a theatrical treatment, but only the consideration of a political art. Consequently, the participants are invited to read focusing on the rhythms and the words editing rather than on the identity of the characters, even when some of them are very well known: Hitler, Johnson, Goebbels, Christ, Paul VI or God. The intention is not to construct a character, nor even to propose a fixed identity. Therefore, different speakers will read the same characters along the performance. The group of speakers/readers will consist, approximately, of thirty people. Distributed in successive shifts of eight to sixteen speakers at a time, they will give voice, along approximately eight hours, to the words of almost two hundred characters, both real or figured. In order to make the task of the speakers as easy as possible, we are preparing a very detailed script that will allow minimizing the time of rehearsal: in some cases, just one session previous to the performance will be enough. The goal of the rehearsal will be to explain the rhythm, tone and position codes used in the script, to make clear the identity of the voices, and to clarify some contents and intentions of the author, when necessary. The reading will be supported by a soundtrack, which will create some atmospheres. Providing tones or rhythmic keys, the soundtrack will reinforce the critical intention of the text, bringing the historical words to the present and helping to identify the voices. In some cases, a historical recording will be used instead of the live voice: for instance, Pope's Paul VI speech at the UN assembly in 1965. Since that speech was pronounced in French, we will project English subtitles. The same will happen in other specific moments in which the text will be read in original Spanish. The speakers will sit around ten tables (two to four speakers per table), distributed all over the space: one/two table(s) for the Press (max. 4 voices), two for the Historian, the historical Press and the Bible (including God, Christ and St. John), one for L. Johnson and A. Hitler, one for the Pope, Paul VI, one for the Nazis (Goebbels, Göring, Himmler, etc.), one for the US Administration (State Secretaries, advisors, senators, generals, etc.), one for the Priest and the Missal, and one extra table for other different voices. Some voices will be identified through small plastic elements (tiny figures, books, models….);

 

 

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some others will be identified through projections on the lateral walls (it will be the case of US, Germany and Vietnam Administration members, Generals and Priests). The audience will receive a map of the space, with a brief description of the reading device. They may sit at the tables very close to the speakers, circulate around them or sit down on different chairs distributed all over the room. Eventually, a spectator could read some lines. On the tables we will dispose plenty of documentary material: copies of the original newspapers, magazines or books pages where the words were found, contextual documents, documents of León Ferrari work as well as some other documents that bring the performance to the present: current conflicts, economic neocolonialism, criminalization of migrants, practice and acceptance of torture. Spectators are not expected to stay in the reading for a long time, although they may. In any case, they don’t need to keep their attention on the reading as if they were attending a theater performance; they will instead inhabit the space as long as they consider. Even if the text was conceived by Ferrari as a continuum it is possible to recognize in it different rhythms and intensities.

 

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(Artistic rendition in Spanish by Leon Ferrari) 

The last section is without a doubt the most lively: more voices intervene and more speakers will be needed. In order to make easier the preparation and rehearsals, we have divided the script in 8 acts and 43 scenes. Each act lasts around one hour. Scenes will allow a more effective distribution of the rehearsals and will make easier to organize the shifts. This division will not affect the final reading which will be continuous as Ferrari conceived it. This public reading of Palabras Ajenas constitutes a big challenge: it will be the first time that the piece will be read from the beginning to the end, without cutting it. Previous readings, realized by Maler in London and Asquini in Buenos Aires, used shortened versions. Our current political situation offers unfortunate parallelisms with Ferrari’s context during the preparation of Palabras Ajenas. For that reason, we consider that the realization of this piece and the participation in the reading should work not only as a way of recalling the artistic and political work of León Ferrari, paying homage to him as an artist, a citizen and a person, but also as a gesture in defense of culture, democracy and civil rights. Public Reading: September 16th, 2017. 

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(Artistic rendition by Leon Ferrari)

From 12 to 8 pm. Rehearsal: September 11th. From 10 to 2 pm (TBD) LOCATION: REDCAT THEATER Contact: Ruth Estévez: restevezgomez@calarts.edu Carmen Amengual: carmenamengual@alum.calarts.edu Collections of clippings from the 1960´s containing quotes that León Ferrari used in Palabras Ajenas/ The Words of the Others. Courtesy Pablo Ferrari. PALABRAS AJENAS (1967)

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(Disney Center from a different view)

Daniel C. Lavery djasb@aol.com

www.danielclavery.com

https://www.facebook.com/danielclavery (Facebook) https://www.linkedin.com/in/daniel-c-lavery-00551a11 . (Linkedin prime) https://twitter.com/Danielclavery  

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The Light Where Shadows End : A Book Review by Daniel C. Lavery for VVAW,

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The Light Where Shadows End :  A Book Review by Daniel C. Lavery for VVAW, A War Hero’s Inspirational Journey Through Death, Recovery, and a World Without Home by r.g.  cantalupo (He uses no capitals in his name on the cover: New World Publishers, paper, 2015, 171 pages) A member of the Vietnam Veterans Against the War, the author took part in the 1971 Winter Soldier Investigations where he confessed to committing crimes and atrocities. A Radio-Telephone Operator (RTO) with the 25th Infantry Division in 1968-69, Cantalupo (a nickname, actually H. H. Gregory), served in Vietnam and was awarded a Bronze Star with a Combat V and three Purple Hearts. He describes himself as a war criminal who fired white phosphorus mortars and called in napalm bombs on civilians using weapons banned by the Geneva Convention. He returns to the scene of his action in 2015 “to survive my looming suicide… to Trang Bang where Nick Ut photographed the ‘Napalm Girl’. That was also where he ordered villagers to lie down while they destroyed their village and where Lonny, Baby, San, Devil and I lay dying not for God, or flag, or country, but simply because we were “the chosen”, draftees offered up from poor black, brown, or white families by an upper-middle-class draft board that didn’t want to take sons from their own.

 

He describes his boot camp training droning into him like a mantra: “They are gooks, dinks, commies, savages, nothing resembling us, nothing close to human. And, it worked-when I was shooting at a cardboard man, when I was stabbing a dummy to death with a bayonet, when I was on the edge of terror--it was the only voice I heard. But four months in Vietnam had changed me. The kids along Highway 1 chanting “G. I. Numba One” as they begged chocolate bar or cokes looked no different than the kids from my tenement—Asian versus black, or Puerto Rican or Pollock or Jew—hungrier maybe, more desperation in their eyes, but under the grime and stink, they were no different than the kids I grew up with carrying hopes and fears and dream. And so I heard a different voice—my own… How long does it take to kill a man-- from inside? …How long before I was no longer a man but a rifle. A bullet, and I inside a soulless body?

 

After his good friend Lonny is killed when he makes eye contact with an enemy soldier who is badly wounded and groaning in the Elephant grass, Cantalpo raises his rifle: "I put his head in the crosshairs, held my breath, and put my finger on the trigger guard. I didn’t squeeze the trigger. I couldn’t. Not anymore. Lonny was dead. Nothing I could do would bring him back. Not killing this soldier. Not killing the whole fucking North Vietnamese Army. Lonny was dead. Shot in the throat and chest by his own men. Friendly fire. Friendly. As if killing was somehow friendlier if done by your own men. And who was to blame? The soldiers on the perimeter who opened fire from fear of being overrun? The C.O. who sent us out? General Westmoreland? Nixon? Kissinger? The Pentagon? The Army? The rich? The whole fucking US of A? My mother? My war-hero father? Yes, everyone was to blame. Everyone carried Lonny’s blood on their hands. I lowered my rifle. I was done. I was done with killing, done with death, done with war. For a long moment, the wounded soldier held my eyes, then he turned and slowly crawled away."

 

He recounts his horrendous injuries from a mortar exploding a few feet away that hurled his body into the dark sky and then crashed down leaving him covered in warm blood and a nurse nicknamed “Peaches” helped him through hours, days and weeks of care with whom he says he seriously fell in love. “And then I rose. Above my body. Above my life. Is this my soul parting from my flesh, my spirit rising toward eternity, flying through the tunnel of white light toward people I loved? I rose in darkness, in shadow, the body below me—my body—graying to a shade, the medic slowly dimming to a hazy silhouette. I rose, but my wounds did not fly away on angel’s wings, nor did I see my mortal life bleeding into light as if I were eternal. I merely slipped in and out of a world filled with fire and burning pain—“

 

A film crew from Vietnam TV International recorded his anguish following his journey toward reconciliation meeting with former members of The People’s Army against whom he fought. They share the truth of where the People’s Army hid in tunnels awaiting to attack and use a map to describe each of their locations in battles. After awkward embraces and they shake hands and say goodbye through the pain such a meeting engendered. The war’s legacy in Vietnam, Cantalupo says, includes “leaving hundreds of thousands of unexploded bombs to kill more children,” as well as “fourth generation birth defects and genetic mutations caused by our massive spraying of Agent Orange.” That situation “will not allow for my reconciliation. This was the most profoundly moving memoir I have read on Vietnam showing how a man changed from a war criminal to a sensitive human being aware he was lucky to have survived and gained an inspiration and an awakening that changed his life.

 

BIO: Daniel C. Lavery graduated Annapolis, navigated a Navy jet, and then a ship to Vietnam. He resigned, turned peace activist and became a civil rights attorney for Cesar Chavez's UFW and the ACLU. His memoir, All the Difference, describes his change from a pawn to an advocate crusading for justice. HTTP://www.danielclavery.com(Author website)

           

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Impeachment of Donald Trump for high crimes and misdemeanors

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report released Tuesday accusing President-elect Donald Trump's team of communicating with Russia as it influenced the election caused some critics to question Trump's future in the White House. Though Trump has routinely denied such allegations, taking to Twitter to say the latest report was “completely false,” if Congress proves he was involved, it could eventually result in impeachment.

The grounds for impeaching a president can be found in Article II of the United States Constitution, which says an official must be convicted by a majority vote in Congress over “treason, bribery, or other high crimes and misdemeanors.” Treason may be the most likely Russia-related charge to take down Trump.

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Trump has become the target of impeachment efforts because working with Russian officials would make him vulnerable to compromising information that could be used to blackmail or influence him politically during his presidency.

A former British intelligence officer released a report, which alleged the Russian government had been “cultivating, supporting and assisting” Trump for several years. A two-page synopsis of the report was given to both President Barack Obama and Trump, CNN reported Tuesday.

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“That is a strong indication that these allegations should be taken seriously,” former NSA legal counsel Susan Hennessey told Forbes. “If there was any evidence that the Trump campaign actively colluded with Russia and committed crimes, that would be the most shocking political scandal in American history ... If sufficient evidence emerges that the FBI has substantiated the allegations or is preparing criminal indictments, then even hardline Republicans in Congress will likely call for Governor Pence to take the oath of office.”

Impeachment does not mean Trump would immediately be stripped of his presidency. If the House of Representatives were to agree he should be impeached, Trump would also have to go through a Senate trial. Then, two-thirds of the Senate would have to agree in order for him to be removed from office.’

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Impeachment has been used a few times on presidents. Andrew Johnson was impeached in 1868 over a political conflict stemming from the Civil War. More recently, former President Bill Clinton was impeached on Dec. 19, 1998 over perjury and obstruction of justice after he was found to have lied under oath about his affair with former White House intern Monica Lewinsky. However, both Clinton and Johnson were impeached for crimes committed while they were president.

Christopher Lewis Peterson, a law professor at the University of Utah, wrote a paper last year arguing Trump could be impeached immediately upon taking office — though not for treason. The report said the “high crimes and misdemeanors” clause for impeaching a sitting president in the Constitution applied to all "ordinary" citizens acting against U.S. law. Peterson claimed Trump could be on the hook for fraudulent activities related to false advertising for his real estate program Trump University.

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Treason is equally unlikely some say to bring an impeachment. There have been fewer than 20 treason convictions in American history, and none since the 1950s. Most of those were tied to revolts or wartime espionage; none applied to a President. They contend Trump would, hypothetically, only face impeachment for bribery or for another unspecified crime, either before or during his time in the Oval Office — although some constitutional experts say there’s no precedent for impeaching a President for actions taken before they took office. I am inclined to think if the constant contact of Trump and his enablers occurred during the election process and Russia’s efforts to sway the election to him we have uncharted water and treason should certainly be included. Trump's most likely path to an impeachable offense, experts say, could come from this obscure anti-bribery clause in the Constitution.

Then there is the emoluments clause which says the President cannot “accept any present, emolument, office, or title, of any kind whatsoever, from any king, prince, or foreign state.” In other words: No gifts from foreign leaders or diplomats. With his tangle of business interests worldwide — and his refusal to officially cut ties with them — Trump may have been pushing the envelope on this ever since he won the election.

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“The whole question now is whether he is going to be violating the Constitution on day one with the emoluments clause,” said John Dean, a former White House Counsel to President Richard Nixon. That would indicate another strong avenue for impeachment as many of his holdings continue to obtain considerable infusion of millions of dollars since his presidency began and he has not even revealed his taxes as every president has done in the past. His children are running much of his powerful assets around the world that continue to provide enormous wealth as no president before him accumulated and his presidency just began. Trump claimed through the campaign he would put his assets into a blind trust if he won. Instead, he revealed he handed the Trump Organization to his sons and will simply not involve himself in the business.

His handoff may be legal for the presidency — but it does little to keep the commander-in-chief away from conflicts of interest, especially since he has been inviting his children into meetings with foreign diplomats.

"With emoluments, presidents usually go out of their way not to have these problems," an authority named Libowitz said. "This is not something we've seen before. It brings incredibly serious issues."

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The potential for impeachable conflicts is nearly as vast as Trump's empire. For instance, there are the meetings with foreign diplomats, sometimes from countries where Trump has deals pending, since the election. There are Trump's denials that he has ever done deals with Russia, despite one of his sons once claiming the family saw "money pouring in" from there. There is Trump's new Washington, D.C., hotel, which has been catering to foreign officials visiting the nation's capital.

Trump’s lawyer said earlier this month that’s not a violation of the emoluments clause because that applies to gifts, not business transactions like renting a hotel room. But ethics experts are unconvinced by that argument. For an impeachment, though, Trump would have to be caught explicitly exchanging a political deal for a business deal to be guilty of bribery.

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“There would have to be facts showing a quid pro quo,” said Michael Gerhardt, a University of North Carolina at Chapel Hill School of Law professor who testified in a hearing for President Bill Clinton's impeachment. "It would be like Watergate — 'Follow the money.' We'd have to be able to follow the money to Trump to know what extent he might be corrupted." "There's a potential there," Gerhardt added, "that just has not existed with other presidents before."

Then there is the crime of perjury to consider. Along with his businesses, Trump brings another liability — literally — with him to the White House: He has been involved in more than 4,000 state and federal lawsuits, according to a USA Today analysis. As the leader of the free world, more than 60 lawsuits come with him that include disputes over contracts, taxes and even his campaign. All will be open and exposing him to scrutiny never before seen.

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We have a president that now is openly using his power in ridiculously foolish billion dollar fiascos that could seriously fail such as his imbecilic wall. Many authorities find this concept flawed with no chance Mexico will pay for it despite Trump’s foolish belief they will. Many have said this wall can easily be scaled, or dug under. Meanwhile serious disruption of wildlife will result and twenty billion dollars squandered. If Bannon’s stated goal is to bring down the government, this gigantic boondoggle will be one of many reasons our government might fail with all on its early agenda.

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The Universal Force of Love: Einstein

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    In the late 1980s, Lieserl, the daughter of the famous genius, donated 1,400 letters, written by Einstein, to the Hebrew University, with orders not to publish their contents until two decades after his death. This is one of them, for Lieserl Einstein.

     

    (Albert Einstein and his daughter, Lieserl)

     

    "When I proposed the theory of relativity, very few understood me, and what I will reveal now to transmit to mankind will also collide with the misunderstanding and prejudice in the world.

    I ask you to guard the letters as long as necessary, years, decades until society is advanced enough to accept what I will explain below.

    There is an extremely powerful force that, so far, science has not found a formal explanation to. It is a force that includes and governs all others, and is even behind any phenomenon operating in the universe and has not yet been identified by us. This universal force is LOVE.

     
     

    When scientists looked for a unified theory of the universe they forgot the most powerful unseen force. Love is Light, that enlightens those who give and receive it. Love is gravity, because it makes some people feel attracted to others. Love is power, because it multiplies the best we have, and allows humanity not to be extinguished in their blind selfishness. Love unfolds and reveals. For love we live and die. Love is God and God is Love.

    This force explains everything and gives meaning to life. This is the variable that we have ignored for too long, maybe because we are afraid of love because it is the only energy in the universe that man has not learned to drive at will.

    To give visibility to love, I made a simple substitution in my most famous equation. If instead of E = mc2, we accept that the energy to heal the world can be obtained through love multiplied by the speed of light squared, we arrive at the conclusion that love is the most powerful force there is, because it has no limits.

     

    After the failure of humanity in the use and control of the other forces of the universe that have turned against us, it is urgent that we nourish ourselves with another kind of energy…

    If we want our species to survive, if we are to find meaning in life, if we want to save the world and every sentient being that inhabits it, love is the one and only answer.

    Perhaps we are not yet ready to make a bomb of love, a device powerful enough to entirely destroy the hate, selfishness and greed that devastate the planet.

    (Einstein with first wife, Mileva Maric)

    However, each individual carries within them a small but powerful generator of love whose energy is waiting to be released.

    When we learn to give and receive this universal energy, dear Lieserl, we will have affirmed that love conquers all, is able to transcend everything and anything, because love is the quintessence of life.

    I deeply regret not having been able to express what is in my heart, which has quietly beaten for you all my life. Maybe it's too late to apologize, but as time is relative, I need to tell you that I love you and thanks to you I have reached the ultimate answer! ".

    Your father,

    Albert Einstein

    (Article in part from Robert Vancina quoting Einstein's letter with all but one photo added)

     

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